Monday, July 26, 2010

Longwood Garden wonders



These amazing plants are called "water platters." They're featured in the waterlily ponds at Longwood Gardens. The colors and textures are gorgeous. They can grow up to 7 feet in diameter at a rate of 6 inches a day. Jeff and I had the good fortune of seeing the water gardeners at work on Monday. The third photo shows an underside.
I have a feeling that these are going to influence some woven scarf designs this fall!

Posted by Picasa

Monday, July 12, 2010

An extra bright spot

Th
     What a treat, I grabbed a ride into Sante Fe on Saturday and joined the crowd brwosing tent to tent at the International Folk Art festival on Museum Hill.
      These two new friends were having a ball trying to catch streamers.  It was tricky getting a photo-they were up and down the hill so quickly!
  
All of the venders were dressed in traditional costumes of their culture and assisted by translators.  Many were demonstrating their techniques-very labor intensive with stunning results.  The "stan" countries were particularly well represented.
     I picked up a few Christmas presents (no photos of those-duh), and probably would have picked up a few more if the pay line wasn't so long.  The venders give you tickets and pay for all at once.  Indulged in a funky pair of earrings from Swaziland for myself-irrisistable at $6.    
     This lady is the creator of an extraordinary embroidered coat.  It took 4 years to stitch and displays an entire mytholigical narrative.  Stunning


Sunday, July 11, 2010

Box Canyon

     Thought I'd add photos from a hike today.  This is the way into Box Canyon, originally the "cattle storage" for bandits, now a peaceful spot populated by nesting birds.  There are beautiful little waterfalls on the way in, a contrast to the more arid first half mile.  (You'll see podcasts with these in the fall).Watching the water bugs flit around on the pool surfaces is good fun.  National Geographic water issue has a page on the physics of how they do it-actually pushing the water up in front of them to create momentum  that they can surf.


     On the way are spectacular fallen trees, some fairly recent as the landscape changes with each rain.  Some are "duck unders," and others are "walk across."  I loved the way the carved rock and clay looked under this one.














Towering evergreens guard the entrance to the dead end of the canyon (after climbing over some formidable boulders).

       Dozens of swallows swoop overhead.  When you reach the center and look up, this is the rim overhead.  It creates a wonderful acoustic space, great for chanting or singing.  And below, yoga groupies ready to practice!

Tuesday, July 6, 2010

Commute (the other side)

   Tomorrow took a few days to get to, (God's time) but here is a glimpse of "the other side of the street" I travel.
   One of the most interesting houses I pass several times a day is "Ghost House."  It was built by two brothers who made a living by rustling cattle throughout Northern New Mexico.  They drove the herds up Box Canyon (more later on hiking there) and were notoriously ruthless.
    Arthur and Pheobe Pack bought the property for a dude ranch in 1936. When Georgia O'Keefe first visited the ranch, before she made a home here,  she stayed in Ghost house.  
More on this house later, too.

     Just behind Ghost house is a trail that leads to the Mesa housing area and upper pavilion (where my Yoga class met last week.)  There is a reasonably reliable cell phone signal at the top....... if I stand on a concrete block and don't turn around (no being distracted by views or sunset during a call!).  The first few days this climb was literally breathtaking, but it didn't take long to adjust to the altitude.
     The next building of note is the new chapel (below).  The front doors open entirely, folding back to reveal the landscape.  The acoustics are like very bright, perfect.  This week a choral class is using it to make beautiful music, can't wait for the weekend concert!  Inside are a lovely series of tapestries using Navaho tapestry methods with contemporary designs.  During the "Water and the Baptismal Life" week, we had a wading pool set in the middle.

The library is next.  Its housed in "Cottonwood," which was built for the Johnson Woods family when they fell in love with the ranch during the Pack era.  There is a great book collection inside:  art, theology, biblical studies, science, literature, western history as well a general interest.  Outside is this column displaying the region's geology.  Last week a college class was in working on maps.
     Next posts-hikes to Chimney Rock and Box Canyon (tomorrow?)

Monday, June 28, 2010

morning commute

Here's a look at my morning walk.


















The alfalfa field is being watered.  Today we got a massive thunderstorm (with hail) out of the north, so they won't have to use valuable stored water for a while.  

     Signs about every 20 feet remind us that "burros bite." Today they were playing and challenging each other after the rain.  They trot eagerly up to visitors hoping for a hand out.  The touchable equine is "Jennie," a retired swayback mare who has free roam of the 24,000 acre ranch.  Mostly she hangs around the alfalfa field.
     This Japanese rock garden is tucked inconspicously off the path to the art building  where this welcoming figure stands at the entrance to the courtyard.  Tomorrow I'll post photos from the other side of "the street."










Sunday, June 27, 2010

Renewal leave, day.....?


One goal of renewal leave is to get on "God's time." I think I'm getting close. It really doesn't matter what day of the week it is.  And it would be impossible to convey all the wonders I've already encountered over the past 2 1/2 weeks. So I'll start with something simple, Friday morning's hike before breakfast. To reach the trail, I met up with a new friend, Emily from Cleveland. The one and a half mile  trek starts about 50 ft from my room.
  
(The goal)


 At a 6,500 feet above sea level start,  breathing was a very conscious (even audible) activity for the first 10 minutes then I hit my stride.
We watched the sun rise on the way.



                                                               (1/2 way there)




The view from the top, surreal. To the right is the house where Georgia O'Keefe lived and painted. To the left is the last haze from a forest fire on the other side of the Rio Chama.  Around the corner is one of the most famous, and active paleontology digs in the world. Two weeks ago a ten year old found a new small dinosaur that hasn't been identified yet (part of a two week intergenerational dig that happens eaach summer.) 



On the way down....












"Home" again in time for breakfast, french toast and fresh strawberries in the camp cafeteria.  This hill on the way down is one of the two places we can climb to for cell phone service.  (The other one is a little steeper and requires standing on a rock while facing east to keep the signal.....but it's a great view too!)

I shall lift up my eyes to the hills from where my help comes.....

Sunday, April 11, 2010

It Might Get Loud

 In the movie, It Might Get Loud, Davis Guggeheim gathers three rock and rollers at different stages of their careers. 
One is relatively new to fame, just a decade in.
One is at the height of his career.
One is a now mellowed legend.

The thing that connects them is a love affair with the electric guitar,
a love that's led them to master the instruments’ nuances
and pushed them in new, unexpected directions.

Each of them loves where the guitar leads them enough to give their life to it,
their time, energy, thoughts, even relationships,
in a transcendent, soul forming embrace. 

None of them planned to go there.
Jack White, of White Stripes, remembers growing up in a Detroit neighborhood fascinated with hip-hop's mix music.  He “never wanted to pay guitar, ever.  What was the point?” No one played an actual instrument.
For U2’s guitar genius, called simply, the Edge, growing up in Dublin’s “economic toilet” of the 1970s, bombarded with the violence that tore day after day at Ireland and the United Kingdom meant  “We just didn’t believe that any thing could change.  There has to be more than this. This can’t be the only thing that’s on offer here.” 
He and his band mates picked up instruments looking for a way to express 
what was being pushed down, 
bottled up inside them, 
looking for an opening to something more.

We see a grainy black and white interview with then teenaged Jimmy Page, best known for his studio work and his years with the band, Led Zeppelin.  He planned to go into biological research. 

Have you ever found yourself drawn where you never thought you’d go?
Have you ever looked around and realized that you were doing something you said you never would?  Have you ever known that longing for an opening to something more?

The movie shows these music masters reliving moments of discovery

White haired, wrinkled Jimmy Page remembering that one day, when his family “moved house” a guitar was there, left behind, “a weird intervention.”
Before our eyes he turns into an impish kid 
ready to bust out in air guitar riffs, 
listening to Link Wray’s “Bumble,” 
re-experiencing the wonder of hearing a guitar “rumble” for the first time, the “profound attitude” of an artist and a sensual instrument. 
Sheer joy bursts out in a belly laugh.

The more intellectual artist called “The Edge,” 
painstakingly building a guitar with his brother, 
out of scraps they scrounged.  Learning to listen to the infinite array of sounds it could make.  
What if we plugged this in…..
what if we dropped this note, used this slide, held it this way, moved it that way.  Utter absorption in the symbiotic process of discovery and creation. 
Learning to know, intimately know, something.

Jack White’s raw battle, like a coal miner traveling down to wrest raw materials from the bowels of the earth,

Perhaps finding himself walking out of the tomb's open mouth
was a moment of discovery for Jesus Christ.

Jesus did not have to come out of that tomb.  
Jesus came out because he was utterly in love,
in love with and committed to his work
-to us.


These musical masters offer a fist full of teachings.
*Passion is the starting place, the spirit that starts our flight.

Jack White remembers cramming 2 drum sets into his 7’x7’ bedroom, in a house with 10 kids.  No room for a bed.  My favorite scene in the movie is when he remembers someone giving him a recording of Son House’s “Grinning in Your Face.”  (Don’t you mind people grinnin’ in your face.”  It is a song and a moment of soul baring depth of clarity 
expressed by one gravelly voice with oddly clapping, off beat hands for an instrument.  
“That was it for me,” White says.

*Discipline creates endurance, makes what we imagine real and carries the process further than we could ever have imagined. Just when you get really good at something, master it, 
when it becomes second nature, that is the moment you need discipline most if you want to stay alive.

Jack White tosses off that it's “the disease you have to fight in any creative field, ease of use.”

*Risk taking authenticity.  "It" will only happen if you take the chance and let it. 

*Relationships:   Jimmy Page, remembering Led Zeppelin, “We were so comfortable with each other that we could take it in any direction….it was musical heaven.”

Watching these three masters bring their lives together,
Trusting each other’s skill, 
insight, 
integrity, 
trusting the music 
and where it might take them as they improvise, 
is a glimpse of why we Christ followers imagine God as three in one, 
with a dynamism that can only happens when there's 
more than one (what I say goes), 
more than two (you and me against the world), 
that happens with a community playing, inventing, riffing, embracing creation.


The great reformer, Martin Luther, said that each of us has an inner call, to be consciously cultivated.  And each of us has an outward call, one’s work, one’s way of serving the community.  “When people contribute to society according to their God-given talents, they become what Luther calls a “mask of God.”  God works through them.   (thanks for the thought,  rockandtheology.com). 

Masters are those whose tools become extensions of themselves, 
of their bodies, minds, and souls.
What would happen if church, 
the body of Christ, were willing to take its instruments apart, 
to learn what they can really do, 
and in the new intimate knowing, 
put the pieces back together?

What would it be like to allow Christ to re-think church with us?

If Jesus is really master of the world, even of death,
If Jesus is really master of sin, reconciling, claiming it, 
incorporating it into God’s holy creative process.
If Jesus is master of our lives, 
Then we truly are the stuff of Christ’s active creation, 
his body.
We are Christ’s creative process 
multiplied across millions of partners able to know passion, 
discipline, 
risk taking authenticity, 
to know the kinds of relationship that mirror God’s own inner partnership:  
creator-sustainer, redeemer, renewer.

Maybe we are millions of strings
made to be played.

May God’s fingers, 
the hands that drew Jesus from the tomb of death 
play through your life, 
and through ours 
together, 
this day.  
Amen.